I’ve been working out of Dave DiCenso’s great book, “Rhythm and Drumming Demystified” (aka RADD). One of the sections of the book I’ve been delving into is “Lesson 19,” which features a great pattern: FRLF RLRL (easily also played as RLRL FRLF).
There are a lot of things I like about the book. One is that DiCenso will present a pattern without orchestration–forcing you to come up with your own ways of playing it on the drum set. Dave has a great method for coming up with orchestrations too. You can check his orchestration methodology and a lesson about this very same “Lesson 19” by watching the video below:
Now, having watched that video, you may find yourself excited! The ideas sound great, don’t they? And once you work on the ideas in Dave’s book using his method, you’ll find that you have a certain free feeling with them. That’s how I’m starting to feel about Example #3 in Lesson 19.
I’ve been going to some blues jams lately and I found that in 6/8 feels, I wanted more freedom to play some faster, denser fills. Enter “Lesson 19.” I set out to try to apply it to 6/8. The PDF presented here will detail 6 examples of ways to use Example #3 from Lesson 19 in 6/8. I’ve decided to give you my preferred orchestration. Here’s the PDF: 6/8 Explorations with “Lesson 19” from DiCenso’s RADD
Let me know how you fare with this stuff!
PS….I’m going to post a video on this soon…
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He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
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Thank you Mark.
I appreciate the help. I really dig Dave Dicenso also, although i struggle with most of the lessons. I can, with a lot of practice, play the beats and most of the fills but working them out from the written music is a nightmare for me.
Would you have any suggestions or hints that may help me. PLEASE.
Thanks again mate.
Perry from Australia.
Hi Perry –
Thanks for writing.
It’s REALLY hard to say without knowing much about your playing…. But, going slow when working on difficult stuff is always what works for me. I find that a typical problem people have when working on stuff is that they try to go too fast too soon. Maybe slowing the tempo way down will help. Also, be aware of your body. Are you tensing up? If so, relax and make sure you’re loose….
I hope this helps!
Regards,
Mark F