Following up on last week’s post, I’ve stumbled on another idea that goes a little deeper. Let’s start by showing you a video of me playing the new idea. I play it twice in the clip. By the way, the click is audible during the video with the high pitched beep set as the “1” of each 4/4 measure. The idea goes over the bar line, so the click should help make it clear where the “one” is.
One of the things I love about double stroke rolls is that they make it easy to insert accents where ever you wish. Using that notion, I came up with a variation on the ideas from the last post. The attached worksheet breaks down the lick in three steps:
- the underlying rhythm of the idea is shown
- the sticking of the lick (with out the doubles) is given
- the full lick exactly as played is written
I found it helpful to look at the lick in these three ways as I started working on it. Hopefully these steps will be useful for you as well. Below is the full lick’s rhythmic notation.
Here is a PDF of worksheet with all the details so you can take it into the practice room: Nasty Lick #62A
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
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