Anyone who has really studied John Bonham knows how he played his famous hand/foot triplets. Originally I thought the pattern was Right, Left, Foot, but that’s incorrect. The way that Bonham played them is: Left, Right, Foot. And man, when you get that lick fast and clean it sounds amazing.
Once I started working on the actual “Bonham way,” I began to think about inversions. What if I started the pattern on the second note of Bonham triplet? If I did that, the pattern becomes Right, Foot, Left.
I started messing around with that and I decided I really liked the way it sounded. Once you start playing Right Foot Left and combining it with other things (like six-stroke rolls for example), you can get a lot of great-sounding drumming magic from it.
So, here I present to you the PDF: John Bonham Hand/Foot Triplet Inversion #1
On the worksheet (just click the red text above), the pattern is explained and notated in detail and there are several examples of some ways of playing it that I’ve come up with.
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