Back when I was shedding a lot of Philly Joe Jones and Vinnie Ruggiero stuff, I started writing out some cadences that came to me while practicing. What strikes me as I look over this material again is how musical it is. The phrases have space and are syncopated in that traditional jazz type of way. And that makes them sound great. I wrote a few of these, so I will look for the rest of them. In the meantime, this should do as a start.
This one is called “King Cadence.” By the way, two of the definitions of “cadence” are:
- The rhythmic flow of a sequence of sounds or words
- A rhythmic pattern that is non-metrically structured
Here is the PDF: King Cadence
Mark Feldman is a session drummer from NYC.
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
Latest posts by Mark Feldman (see all)
- A Philly Joe Jones Lick aka Nasty Drum Lick 109 - August 2, 2021
- Nasty Drum Lick 112: A Cool Vinnie Colaiuta-ish Triplet Thang - July 23, 2021
- Introduction to the Hi-Hat Part One - July 19, 2021
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