Lately, I’ve been combining patterns that I am already very comfortable with into new ideas. The theory here is that the new combinations will be fairly easy to get into “playing” shape. I already know these these words/ideas, so the new ways of mixing and matching them should take less practice time to become “performance-ready.” Logical, right? The theory seems to work.
In this case, the ideas/words I combined were:
1) the paradiddle diddle
2) two bass drum notes in a row
3) two groups of three on the toms, going low to high
I took these and mixed them together as sixteenth note triplets.
Here’s the PDF: nasty_lick_70
Nasty Lick 70 also works when you convert it to thirty-second notes…..
Mark Feldman is a session drummer from NYC.
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
Latest posts by Mark Feldman (see all)
- Nasty Drum Lick 112: A Cool Vinnie Colaiuta-ish Triplet Thang - July 23, 2021
- Introduction to the Hi-Hat Part One - July 19, 2021
- Five Killer Gadd Licks Three - July 8, 2021
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