This first installment of Pattern Control for Drumset applies the pattern “RLF” to 16th notes in a Jazz context.
As we work on “RLF” in this context, the first order of business is getting comfortable with the three note pattern itself (as 16ths), and the second challenge is putting the hi-hat on 2 and 4 at the same time. The hi-hat is included because we want to have the ability to keep the time going while we solo. We might not always choose to keep the hi-hat going, but we should be able to do so if we choose.
These five exercises are designed to develop this facility.
After you feel comfortable with these, try going back and forth between playing time and playing the exercises to give you more of a musical context. We’ll explore applying this pattern more musically next time, but for now, just try to master the exercises so you can get comfortable playing and controlling the pattern.
Here’s the PDF for your to download: pattern control one point one
Have fun—I promise you that this stuff sounds great when you get it to flow.
He first gained attention as one of the winners of Modern Drummer magazine's very first drum solo contest, judged by Rush's Neil Peart.
He's played with Oz Noy, Will Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Company, and many other artists.
For more info: onlinesessiondrummer.com
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Hi Mark,
Really great site and study material!
I was curious as to what instrument the ‘F’ is referring to in the “RLF” pattern. Could it be foot, as in right foot, and the ‘x’, on the sheet, being high-hat cymbal?
Thanks!
Joe Morin